CatalogueFUJIFILM GFX ETERNA 55 GFX · Camera

GFX ETERNA 55

The soul of cinema, in the digital age.

A 44x33mm large format sensor built for filmmaking — dual base ISO, over 14 stops of dynamic range through F-Log2 C, a built-in variable ND and Apple ProRes HQ recording.

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Fujifilm GFX ETERNA 55 — front view with the sensor exposed
1/16

This configuration

Body onlyG Mount, PL adapter supplied ● Selected

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Why this camera

A new kind of filmmaking camera

  • 44x33mmLarge format sensor

    Approximately 1.7 times larger than a typical full-frame sensor, with a 55mm diagonal.

  • 14+stopsF-Log2 C dynamic range

    From deep shadow to bright highlight, recorded without compromise.

  • 800/3200dual ISODual base sensitivity

    Smooth tonal gradation and exceptional performance at both ends of the range.

  • 7stopsElectronic variable ND

    ND0.6 to 2.1, built in and adjustable with smooth, precise control.

  • 20modesFilm Simulation

    Plus ten expertly crafted Film Simulation LUTs for F-Log2 C / F-Gamut C workflows.

Features

What it does, and why that matters

ETERNA — a name that means eternal
On set

ETERNA — a name that means eternal

What once lived on celluloid returns in the digital age. Building on over ninety years of Fujifilm colour science, GFX ETERNA 55's large format sensor delivers imagery with the depth, warmth and nuanced tone traditionally reserved for film — in a camera designed around how crews actually work.

Large format, tuned for motion
Sensor — 01

Large format, tuned for motion

The 44x33mm sensor carries a specially designed optical low-pass filter optimised for filmmaking, using a four-point separation method that effectively reduces moiré and false colour.

  • 44x33mm large format sensor, 55mm diagonal
  • Approx. 1.7x the area of full frame
  • OLPF with four-point separation
  • Dual base ISO 800 and 3200
Monitors on both sides
Operation — 02

Monitors on both sides

Independent 3.0-inch LCD monitors sit on both sides of the body, giving real-time recording status, exposure and audio to whoever needs it — alongside a 5.0-inch 6.22 million dot, 2000-nit main display for judging focus and colour on set.

  • 5.0 inch main display, 6.22 million dots, 2000 nits
  • Independent 3.0 inch monitors on both sides
  • Seven customisable buttons plus twelve GUI buttons
  • Dedicated handle with focus, zoom or iris dial
G Mount, with PL supplied
Mounts — 03

G Mount, with PL supplied

Alongside the standard G Mount, a PL Mount adapter is supplied in the box, so PL glass goes straight on without sourcing additional accessories.

  • G Mount as standard
  • PL Mount adapter supplied
  • Supports FUJINON GF and Premista lenses
  • 4:3 Open Gate suits anamorphic optics
Built into a professional pipeline
Workflow — 04

Built into a professional pipeline

Apple ProRes HQ is the main recording codec, written to high-speed CFexpress Type B. Professional interfaces cover multi-camera setups, and the camera runs on V-Mount with an NP-W235 fitted for hot-swapping.

  • Apple ProRes HQ to CFexpress Type B
  • 12G-SDI, HDMI, GENLOCK, REMOTE, 12V DC and LENS connectors
  • V-Mount and NP-W235 with hot-swap
  • Magnesium alloy, dust and water resistant
Specifications

At a glance

Sensor 44x33mm large format
Dynamic range 14+ stops, F-Log2 C
ND filter Built-in, up to 7 stops
Codec Apple ProRes HQ
System GFX
Type Camera
Class Medium Format

ETERNA — a name that means ‘eternal’. What once lived on celluloid now returns in the digital age. GFX ETERNA 55 is a new kind of filmmaking camera, crafted to reflect the creator’s eye and heart and infused with the depth of Fujifilm’s enduring wisdom.

At its heart lies a powerful large format sensor: 44×33mm (55mm diagonal), far exceeding traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with depth-of-field characteristics standard formats simply can’t replicate.

Sensor and image
Sensor
44x33mm large format, 55mm diagonal
Relative size
Approx. 1.7x full frame
Base ISO
Dual, 800 and 3200
Dynamic range
Over 14 stops with F-Log2 C
OLPF
Four-point separation, optimised for filmmaking
Film Simulation
20 modes plus 10 LUTs
Recording
Open gate
4:3, using the full imaging area
Resolutions
8K and 4K DCI
Codec
Apple ProRes HQ
Media
CFexpress Type B
ND
Built-in electronic variable, ND0.6 to 2.1
Body and interfaces
Construction
Magnesium alloy, dust and water resistant
Main display
5.0 inch, 6.22 million dots, 2000 nits
Side monitors
Two independent 3.0 inch LCDs
Video out
12G-SDI and HDMI
Other
GENLOCK, REMOTE, 12V DC, LENS connector
Threads
1/4in-20 and 3/8in-16
Power
V-Mount and NP-W235 with hot-swap
Next step

See it in person

FUJIFILM X Series and GFX are sold through authorised retailers across South Africa. Find your nearest stockist to handle the camera, or send us an enquiry and we will point you in the right direction.

FUJIFILM South Africa — authorised retail network Full technical detail on FUJIFILM Global